• Arie Hill

Through the Haze

When a new story idea comes around, it looks like this picture: What's in focus are usually the smallest points. The hand that grabs you could be the emotion, the sense of the characters, or the question needing to be addressed with what-ifs. Behind the initial perception, the bulk of what is going on the page is hazy. You have a general idea, but the blurry form is not something you can just touch or yank into focus. You have to grasp the hand and trace the arm to get to the body of the story.

It's slow, revealing work and I am never sorry I made the trip.


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